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This record comes with a 12-page booklet that features an extensive Interview with Charlemagne Palestine, conducted by Dirk Specht and Hans W. Koch of reihe-M
Includes unlimited streaming of theeOorgannnissstheeGgreattestttSsynthesizerrrEverrrrrrrr
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Charlemagne Palestine's performance on the organ of the Friedenskirche, Eupen for the reihe-M showcase at the Meakusma Festival 2019 was one of the many highlights of that year's festival edition. This record features the full live performance as Palestine conjures up his dense definition of maximized minimalism, introducing the performance with a minimalist drone and himself singing on top. His voice touches upon melancholy and the absurd and gives the piece context and direction. From there on, anything goes. The piece develops while complex layerings of chords and musical sentiments shift in and out of focus, yet all take center stage all the time. Ending the piece, Palestine excitedly shouts out that the organ is still the best synthesizer ever made. In typical Palestine fashion, his performance made the whole church resonate, an effect that can be repeated easily when listening at home, because this record demands volume and lots of it.
Brooklyn-born Charlemagne Palestine has long been hailed as one of the originators of modern minimalist and experimental music. He very firmly describes his music as maximalist. His immense body of work features many solo albums, collaborations, performance-driven video works and much more. In his work in performance, music, video and related media since the late 1960s, he uses certain emblematic objects such as teddy bears, cognac and scarves. They serve as signatures, he calls them symbols of identification.
supported by 21 fans who also own “theeOorgannnissstheeGgreattestttSsynthesizerrrEverrrrrrrr”
I thought for a long time to find the right words to describe this release, but I cannot without sounding too cheezy: It's overwhelming, a great concept on working with classical instruments in such a way. Without a doubt a role model for similar music! Goldsaftbube
supported by 19 fans who also own “theeOorgannnissstheeGgreattestttSsynthesizerrrEverrrrrrrr”
Absolutely love this recording. I listen to it at work. I listen to it in the car on the way home from work. I listen to it while falling asleep. Curtis’ cello is so amazing. Just got the vinyl in the mail from Discogs the other day! Can’t wait to play on my hi-fi system! Dave Sewall
The legendary Japanese producer known as Tomo Akikawabaya meets experimental giant Robert Wyatt for a fascinating electronic journey. Bandcamp New & Notable Jan 16, 2019